Back to What's onThis program draws inspiration from the Sicilian composer Alessandro Scarlatti’s unique four Sonate a quattro senza cembalo. These sonatas, composed in the early 18th century, stand out for their exclusion of the harpsichord, a departure from the typical continuo foundation. They have a distinct identity, dispelling any notion of them being imitative or mere experiments. They may be considered a potential swan song for the 17th-century sonata da chiesa. These pieces exhibit an exceptionally sophisticated and controlled musical style, showcasing Scarlatti’s comprehensive mastery of harmony and chromaticism, evident in their impeccable construction.
Performed by the Valletta Baroque Ensemble with Sarah Spiteri and Tatjana Chircop on violin, Jacob Portelli on cello and Joseph Mallia on the viola.
Valletta Baroque Ensemble (ViBE)
Sarah Spiteri violin
Tatjana Chircop violin
Joseph Mallia viola
Jacob Portelli cello
Alessandro Scarlatti(1660 – 1725)
Sonata 1a a quattro senza cembalo, fa minore
Sonata 2nda a quattro senza cembalo, do minore
Mikel’ Ang Vella (1710-1792)
Sonata Opus 1 No. 1, for 3 violins and continuo
Domenico Scarlatti (1685 – 1757)
Sonata K 87
Sonata K.455
Alessandro Scarlatti(1660 – 1725)
Sonata 3a a quattro senza cembalo, sol minore
Sonata 4a a quattro senza cembalo, re minore
